‘Danny Boyle, please make another film about drugs’: Venice film festival’s feedback wall delivers home truths
The written forum allows members of the public to vent their fury at the movies they’ve seen – and the festival organisers In an industry that is reliant on the fickle vagaries of taste, film festivals exist to establish facts.
The reason why film-makers still go through the rigmarole of ferrying their cast to the red carpets of Venice, Cannes or Sundance is the need for empirical evidence of unambiguous quality: a solid-gold prize, a top score on the critics’ grid, a record-timed standing ovation that will convince every doubter that this is a great film .
Film festivals, in turn, need beautiful A-listers to attract coverage and sponsorship, and hence there is a constant risk that these annual events become gigantic hype machines, in which every turkey is a classic and every half-hearted performance a masterclass.
Read in depth: Entertainment
The Cube creator Adam Adler joins Channel 4: what he will do at its new production unit
Adler is Sarah Dillistone’s first hire for Channel 4’s in-house production business, which the broadcaster says will develop ideas for television and beyond.
Alexander Payne sued over alleged similarities between The Holdovers and Frisco
Screenwriter Simon Stephenson alleges that The Holdovers borrowed substantial elements from his unproduced screenplay Frisco. Payne has previously denied the plagiarism claim.
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The GuardianSource headline and summary supplied via NewsData.io. First collected by NewsJaws on 2026-09-11. This is an automated news brief, not original NewsJaws reporting. Dates reflect the source publication. Feed delays may apply.