The Guardian view on art heists: don’t believe the Hollywood hype | Editorial
Audacious robberies are a staple of popular culture. But for museums, crimes like this week’s theft of two Renoirs are an existential threat Marc Allégret’s 1956 comedy Plucking the Daisy stars a young Brigitte Bardot as a first-time author who breaks into the Balzac house museum in Paris under the mistaken impression that her brother lives there.
The plot revolves around her unwitting theft of an extremely rare book – and performance of a striptease in a desperate effort to raise the cash to buy it back. Seventy years on, the lax security that could make such a sequence of events even vaguely plausible is no longer a joke. Museums across the world are scrambling to react to a spate of thefts that has left them in a state of shock .
Last year’s break-in at the Louvre, by a gang who gained access using a furniture lift and took €88m (£76m) worth of French crown jewels, is thought by experts to have inspired copycat crimes . While French police believe that they have caught the culprits, treasures including a tiara have not been found.
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